Scott Anderson
Biographie
SCOTT ANDERSON
1973 né à Urbana, IL, Etats-Unis
vit et travaille à New Mexique, Etats-Unis
EDUCATION
2015 Skowhegan School of Painting and Sculpture
1997 Kansas State University [ b.f.a. ]
EXPOSITIONS PERSONNELLES
2021 Biotech, Denny Dimin Gallery, NY
2018 Streaming by Lamp and by Fire, Denny Gallery, NY
2017 Lovers and Thinkers, Galerie Richard, Paris
2016 Untitled, Miami Beach, Galerie Richard, Miami Beach, FL
Supper Club, CES Gallery, Los Angeles, CA
Supper Club, Nerman Museum of Contemporary Art, Overland Park, KS
2015 Wiseguys, CES Gallery, Los Angeles, CA
2013 Future Perfect Tense, with Orion Wertz, Biggin Gallery, Auburn University, Auburn, AL
2009 Join or Die, Stux Gallery, New York, NY (Catalog)
2008 Rendezvous Point, Light and Sie Gallery, Dallas, TX (Catalog)
Misiisto, Kavi Gupta Gallery, Chicago, IL
2007 Guru, Kavi Gupta Gallery, Leipzig
2005 Re Krei, Kavi Gupta Gallery, Chicago, IL
Aneksi, Mark Moore Gallery, Santa Monica, CA
2004 Neo Pejzago, Galerie Richard, Paris (Catalog)
2003 12x12, New Artists New Work, Museum of Contemporary Art, Chicago, IL
Chicago Cultural Center, Chicago, IL
Miami University of Ohio, Oxford, OH.
2001 Esperanto for Forage, Peter Miller Gallery, Chicago, IL
EXPOSITIONS COLLECTIVES (sélection)
2020 In the Meanwhile… Recent Acquisitions of Contenmporary Art, Santa Barbara Museum of Art, CA
Untitled, Galerie Richard, Paris
2019 Artifacts, Nevven Gallery, Gothenberg, Sweden
Drinking the Reflection, Russo Lee Gallery, Portland, OR
30 Ans, Galerie Richard, Paris
2018 Gocha, Galerie Richard, Paris
2017 The Wild West, avec William Bradley, David Ryan, Jeremy Thomas Galerie Richard, New York
Painting in due time, Thomas Erben Gallery, New York, NY
Volta 12, Bâle, Galerie Richard, Paris
SWAB Barcelona, Galerie Richard, Paris
2016 On the Nose, two-person exhibition avec Austin Eddy, Denny Gallery, New York, NY
Phantom Limb, Shulamit Nazarian Gallery, Los Angeles, CA
Alcove Show, New Mexico Museum of Art, Santa Fe, NM
2015 Inside/Outside, Common Street Arts, Waterville, ME
Kansas, with David Leigh, Philspace, Santa Fe, NM
Fantasy of Representation, Beers of London, London
Ducks:LA, Minotaur Projects, Los Angeles, CA
2014 Ducks, Greenpoint Terminal Gallery, Brooklyn, NY
Reverb II, Bowling Green State University, Bowling Green, OH
2013 The 10th Circle, Vast Space Projects, Henderson, NV
New Surrealism, Mirus Gallery, San Francisco, CA
Reverb: Current Abstraction in Painting, University of Northern Iowa Gallery of Art, Cedar Falls, IA
2011 Streams of Consciousness, Salina Art Center, Salina, KS
Always Nowadays, SCA Contemporary, Albuquerque, NM
2010 Underground Pop, Parrish Art Museum, Southampton, NY
Bunny Redux, Warhol Museum, Pittsburgh, PA
Cut, Shuffle, Draw, Columbus State University Galleries, Columbus, GA
Guerrero Gallery, San Francisco, CA
Tethered to My World, Highland Park Art Center, Highland Park, IL
2010+1 Young Painters: The Miami University’s 21rst Century Painting
Collection, Heistand Galleries, Miami University of Ohio, Oxford, OH
2009 Low Blow, Stux Gallery, New York, NY
Beatutiful/Decay A to Z, Kopeikin Gallery, Los Angeles, CA
Landscape Affected, Haggerty University Gallery, University of Dallas, Dallas, TX
2008 Future Tense: Reshaping the Landsdape, Neuberger Museum, Purchase, NY
Wild Kingdom, Nerman Museum of Contemporary Art, Overland Park, KS
Wintergarten, Kavi Gupta Gallery, Berlin
West, Wester, Westest, Fecalface Dot Gallery, San Francisco, CA
Apocalypse Yesterday, Claremont Graduate University, Los Angeles, CA,
Cultivating Instability, Cliff Dwellers, Chicago, IL
New Work From Chicago, Road Agent Gallery, Dallas, TX
2007 Me and My Katamari, Lisa Boyle Gallery, Chicago, IL
2006 Mutiny!, Happy Lion Gallery, Los Angeles, CA
Homecoming, Epstein Gallery, Leawood, KS
Homecoming, Johnson County Community College, Overland Park, KS
Après moi, le deluge, FA Projects, Londres
We Build the Worlds Inside Our Heads, Freight & Volume Gallery, New York, NY
2005 Strange Fictions, Tarble Art Center, Eastern Illinois University, Charleston, IL
2004 Architecture Untethered, Numark Gallery, Washington, D.C. (Brochure)
Two-person exhibition with Aaron Baker, Community College of Southern Nevada, Las Vegas, NV (Brochure)
The Babble of Towers, Columbus State University, Columbus, GA (Brochure)
Mental Space, Wendy Cooper Gallery, Madison, WI
2003 Post-Digital Painting, Cranbrook Art Museum, Cranbrook Academy, Bloomfield Hills, MI (Catalogue)
Painting!, University Art Galleries, Central Michigan University, Mt. Pleasant, MI.(Catalogue)
2002 Painting and Illustration, Luckman Gallery, California State University, Los Angeles, CA
Social Landscape, P.P.O.W. Gallery, New York, NY
Nubo Wave Map Space Bubble, University Galleries, Illinois State University, Normal IL, (Brochure)
Johnson, Grant, "Scott Anderson," Artforum.com, May 2, 2016
Pagel, David, "In Scott Anderson's 'Supper Club' Paintings, Pretty Isn't the Point," Los Angeles Times, Apr. 14, 2016 (image)
Grabner, Michelle, essay for "Inside/Outside," Common Street Arts, Waterville, ME, July 2015
Pagel, David, "Dystopian Abstraction," Art Pulse Magazine, No. 17, Vol. 5, 2013 (image)
Park, Steve, “No Soup Cans in This Pop Art,” Newsday, 2010
Droitcour, Brian, “Publish or Parrish,” Artforum.com, Scene and Heard, August 22, 2010
Landes, Jennifer, “Pop Goes Underground,” The East Hampton Star, December 31, 2010
Ernst, Eric, “Between Pop and Postmodern,” 27 East, East Hampton Press + Southampton Press, Sep. 27, 2010
The Wolf Magazine for New Poetry, artist in residence, issue no. 23, June 2010
Wolff, Rachel, “Pop Goes Mighty Mouse,” Art News, Summer 2010, p.33
Johnson, Ken, “The Allure of the Homespun in the Maw of the Digital Age,” The New York Times.com, Sep. 2, 2010
Artner, Alan G., Chicago Tribune, March 21, 2008 (image)
Genocchio, Benjamin, “Today’s Landscapes, Tomorrow’s Dystopia,” New York Times, June 1, 2008
Bon Magazine, “Young Masters,” Fall 2007, pp. 57, 60, 64, (images)
Pagel, David, “Dramatic in any language,” Los Angeles Times, April 8, 2005 (image)
Playboy Magazine, May 2005, pp. 64-65 (image)
Dawson, Jessica, “Design and Structure in 3-D,” Washington Post, Thursday, Oct. 21, 2004
New American Paintings, Volume #53, Fall 2004 (image)
Wertz, Orion, exhibition brochure essay from “The Babbel of Towers”, Oct. 2004
Biro, Matthew, Contemporary, issue #69, 2004, p.77
Ellegood, Anne, essay for “Architecture Untethered” exhibition, Sep. 2004
Green, Tyler, art blog entry, Mondernartnotes.com, October 2004
Pagel, David, essai de catalogue, Galerie Jean-Luc and Takako Richard, Paris, 2004
Murphy, J.J., essay accompanying “Mental Space” exhibition, January 2004
Mouth to Mouth, “Word for Word,” collaborative interview with Aaron Baker, Winter 2004, pp. 15-21 (image)
Artner, Alan G., “Scott Anderson’s Odd Beauty,” Chicago Tribune, April 18, 2003 (image)
Azizian, Carol, “Cranbrook exhibit driven by technology,” Flint Journal, January 3, 2003
Blinderman, Barry, “Painting in the Digital Age,” essay for 4th Annual Miami University Young Painters exhibition, Jan. 2003
Brunetti, John, “Scott Anderson and Cyber-Landscape,” The C.A.C.A. Review, Oct. 2003, p. 3
Camper, Fred, “Imperfect Worlds,” Chicago Reader, April 11, 2003, pp. 26-27 (image)
Chomin, Linda Ann, “Post-Digital exhibit captures painting ‘of the moment’,” Observer & Eccentric, March 6, 2003
Cohen, Keri Guten, “Artists use technology in paintings,” Detroit Free Press, January 5, 2003
Colby, Joy Hakanson, “’Post-Digital Painting’ pumps new technology into aging art form.” Detroit News, Jan.30, 2003
Farstad, Julie, Mouth to Mouth, Spring 2003, pp. 43-44 (image)
Haddad, Natalie, “Digital Simulation,” Real Detroit Weekly, March 12-18, 2003
Houston, Joe, essay from “Post-Digital Painting” exhibition catalog, 2003, pp. 11-13, (image)
Jones, Richard O, “Future looks bright for digital painting”, Journal News, Hamilton, OH, Jan. 24, 2003 (image)
Joyce, Julie, catalog essay, Light and Sie Gallery, Dallas, TX
Knight, Gregory and Silverman, Lanny, essay for exhibition at Chicago Cultural Center, Sep. 2003
Moffett, Nancy, “30 and Below,” Chicago Sun-Times, March 29, 2003
Spector, Buzz, catalog essay from “Painting!”, Central Michigan University, Mt. Pleasant, MI, Oct. 2003 (image en page de couverture)
Tysh, George, “Art 1010101010101010, Cranbrook’s ‘Post-Digital Painting boots up wild new worlds,”
Blinderman, Barry, essay from “Nubo Wave Map Space Bubble,” brochure, Jan. 2002 (image)
Finch, Leah, “Scott Anderson”, New Art Examiner, March-April 2002, pp. 78-79 (image)
Ross, Adam, essay accompanying the exhibition, “Painting and Illustration,” Sep., 2002
Artner, Alan G., “Gallery Season Guide,” Chicago Tribune, September 2001
Artner, Alan G., “Visions by four. The theme is apocalypse, the art, Inventive.”Chicago Tribune, Aug. 10, 2001, p.32
Beautiful/Decay, Issue X, featured artist (image de pager de couverture et image en pages intérieures)
Beautiful/Decay, Issue Z, (image)
Beautiful/Decay, Book 6, “Future Perfect”, (image)
Champaign-Urbana Octopus, April 13-19, 2001 (image en page de couverture)
Cook, Christopher, catalog essay for Revolucio, on the occasion of Join or Die, Stux Gallery, New York, NY
DiMichele, David, “Painting and Illustration at the Luckman Gallery,” Artweek, Dec. 02/Jan. 03
Finch, Leah, “Apocalypse Next Week,” Dialogue, Septembre 2001, pp. 31-35 (image en page de couverture)
Hannum, Terence, entretien in Beautiful/Decay, issue “X,” pp. 44-53 (images et image de page de
Neuhoff, Tony, “Apocalypse Next Week,” New Art Examiner, nov-déc 2001, pp. 93-94
New American Paintings, Volume #35, Septembre 2001 (image)
Spector, Buzz, essay from “Apocalypse Next Week” exhibition brochure, juillet 2001 (image)
Champaign-Urbana Octopus, “Today in Eight Parts graces I-Space,” mars 16-22, 2001 (image)
COLLECTIONS PUBLIQUES ET PRIVÉES
Nerman Museum of Contemporary Art, Overland Park, KS
Pauline Karpidas, Genève, Suisse
Raymond Learsy et Melva Becksbaum, Sharon, CT
Nombreux autres collections privées